The Last Thing He Wanted

The Last Thing He Wanted

by Joan Didion

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She knew it had been the fifteenth because she had arrived in Washington on the fifteenth of August and given herself a month to find a house and put Catherine into school and get the raise that meant she was no longer a provisional hire (there again a survivor, there again that single-minded efficiency), and at the moment her father called she had just made a note to ask about the raise. You will notice that participants in disasters typically locate the "beginning" of a disaster at a point suggesting their own control over events. A plane crash retold will not begin with the pressure system over the Central Pacific that caused the instability over the Gulf that caused the wind shear at DFW but at some manageable human intersect, with for example the "funny feeling" ignored at breakfast. An account of a 6.8 earthquake will not begin with the overlap of the tectonic plates but more comfortably, at the place in London where we ordered the Spode that shattered the morning the tectonic plates shifted. Had we just gone with the funny feeling. Had we just never ordered the Spode. We all prefer the magical explanation. If I could believe (as convention tells us) that character is destiny and the past prologue et cetera, I might begin the story of what happened to Elena McMahon during the summer of 1984 at some earlier point.
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